rates
I like to keep things fair and transparent when it comes to pricing.
My goal is to give you a clear understanding of what you’re paying for and why, with no hidden costs. Below, you’ll find an overview of the equipment included in my rates.
If you have any questions or want to discuss options for your project, feel free to reach out.
All listed prices are exclusive of VAT.
Half day = 5 hours – door to door | Full day = 10 hours – door to door
Please note: All listed rates do not include pre-production, travel expenses, or post-production revisions.
All listed rates includes equipment and licenses.
For larger projects or long-term collaborations, discounted rates may apply. Reach out for a tailored proposal!
For any questions regarding these, feel free to reach out.
Got Questions?
I like to keep my setup lean, flexible and ready for anything — whether it’s a cinematic brand shoot or a run-and-gun documentary day. Here’s what usually travels with me:
Sony FX6 – my main workhorse for that cinematic look and reliable low-light performance.
Sigma 24-70mm f/2.8 – crisp, versatile, and perfect for almost any scene.
Atomos Shinobi 7 monitor – because seeing things clearly saves lives (and shots).
Easyrig Minimax – my back’s best friend during long handheld days.
DJI Mavic 3 Pro – for those smooth aerial shots that tie everything together.
Lighting setup – a mix of soft and practical lights to shape the mood.
Grip essentials – spider mounts, sliders, and other handy tools that keep things steady and creative.
I’ve had the pleasure of working on a wide variety of projects, from documentary work that dives deep into real stories, to commercial projects aimed at promoting brands and products, and branded content that blends storytelling with marketing.
You can see examples of my work in my portfolio here
About my work
My work naturally revolves around documentary projects, commercial work, and branded content.
What drives me most is storytelling—creating narratives that don’t focus on numbers or metrics, but on building a brand through emotion. For me, the real impact happens when a viewer connects with a story, and I aim to craft images that achieve exactly that.
I’m drawn to humanity and faces—they are the recurring threads in my work. Every frame is an opportunity to make someone feel something, and that’s what keeps me inspired.
Creating these stories is about shaping a visual identity, about turning ideas into images that linger with the audience.
RECENT WORK
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